Painting

We Can Be Heroes

I don’t know which came first with this piece, the title or the first brush stroke. Sumo Wrestling has always fascinated me. Their status as heroes, celebrities and in a way – royalty. The first time I looked into the rituals of Sumo was in the late seventies. At that time my reference material was the entire Colliers Encyclopedia set that was on the shelf in our family room. On the same shelf was my first true crime fix – a copy of “Lizzie Borden, The Untold Story” by Edward Radin.

My very thin older brother, Greg, wanted to be a Sumo Wrestler for Halloween and needed help with his costume. I was his only hope. Really. I was going to cosmetology school and had all of the accouterment to not only make his but his friend Mark’s costume. I had an old wig I was able to cut to create top knots and also had every color of makeup in my kit. I only needed ivory and black. We had foam from an old gymnastics pad for the belts and a huge piece of black cloth to wrap the foam in and the rest we used for the briefs. It wasn’t really an official gymnastics pad, just a big piece of dark yellow cushion pad that was always around the house. We used it for extra bedding sometimes and it came in handy when we were practicing our high-jump rolls in the basement. I remember it was easy to cut just created a huge mess. The guys looked great when I was done and they looked just like the black and white photo from the encyclopedia.

When my sister or I find the photo of Greg and Mark from that Halloween I will post it here.

Painting, Process

Process of Painting Smokey Eyes

First Steps

The eyes are one of my favorite subjects. I’ve been doodling eyes on everything from books to grocery lists most of my life. In school the teachers thought I was taking notes but I was just drawing eyes over and over. The more astute instructors probably knew what I was doing. See, I have an obvious tell, even to this day I make scrunched up and sideways faces when I create art.

A few years ago I was reading an artist’s blog and she said you should always start a portrait with the eyes. This makes so much sense! A portrait I did of a Rottweiler a few years ago I only painted his eyes. He had such an intense look and he kept his eyes on his master; so, I thought just the eyes would be the perfect composition “Watch Me.” When it came to this latest commission, “Smokey,” I wanted to capture the spirit, the essence of this beautiful animal.

As you can see, I started this painting by underpainting with a light coat of green. I then sketched with pencil the eye placement and composition.

One of the most important aspects of painting eyes is light direction. I took several photos of Smokey outside. So there is a clear light going through his eyes. I also had the photos on my phone so I could zoom in and capture every light, speck, and color.

To complete the painting I used the smallest brushes in my studio to create the feeling of fur. It definitely takes longer but is so worth it. This painting is on a 10″x 20″ canvas and I used acrylic paint. Please contact me if you would like a portrait created especially for you.